July 1892- Sept 1940
Walter Benjamin, a German Jew, lived in the unluckiest time and place: Germany, at the turn of the 20th Century. History could not have chosen a more unfavourable time for Benjamin to be born; combining his race, religion and radical ideas with cultural change and growing hatred against Jews. Benjamin was a writer and philosopher who committed suicide in 1940 while trying to escape the Nazi’s. His ideas were a mix of marxism, German idealism, Romanticism, and Jewish mysticism. He was a devout religious man, believing Judaism to be the highest form of spirituality, and opposing what he called “capitalist religion” (Robinson, Andrew). His ideas opposing modernity and capitalism were profound, and have added to marxist ideology. He was friends with famous figures such as Theodor Adorno and Hannah Arendt. From 1933-1940, he spent his days exiled in France, where he produced some of his most famous pieces before his death (Wolfe, Ross.).
Benjamin felt alienation from German writers, and instead tended towards the culture and ideas of France thinkers (Benjamin, Walter et al.). France was emerging from the tides of revolution, switching power throughout the 1800s from free Republic to ruled Empire. In the late 19th Century, French thinkers were moving more towards Realism, and away from Romanticism. However, Benjamin would have felt more at home amongst the Romantics and Symbolists, who valued human emotion and traditional religious values. He also wrote about the “concept of criticism in German Romanticism,” combining ideas from the Enlightenment and Romanticism (Walter, Eiland, and McLaughlin).
In Walter Benjamin’s “Theses on History,” he explains marxism as a response to capitalism that has become a religion in France. He saw how capitalism changed the very fabric of cultural life and even the experience of time. Walter’s idea of homogeneous empty time occurs when moments are viewed as equal and interchangeable along a continuum. Empty time lacks any differentiation and special moments that give life meaning (Robinson, Andrew). This form of time is a result of capitalism, and creates an empty existence with no meaning, as labour and commodities are continually measured, used and replaced. Benjamin contrasts this empty existence with the jetztzeit, or “now time,” that exists in “messianic time” (Robinson, Andrew). In messianic time, all of history is compressed into a single moment in time, and real truth can be seen. Benjamin relates this to social movements and revolutions, as all past failed struggles are fulfilled in one messianic moment of redemption. History can only be understood through the lens of immediacy and redemption (Robinson, Andrew).
This was Benjamin’s philosophical reasoning for his marxist views on revolution. His ideas are such a wild mix of religious, political and romantic ideas. Reading his work transports one immediately to the social context in which he lived, yet his ideas transcend time. Benjamin’s writing itself is descriptive and vivid, you can see what he saw. For example, Benjamin starts his text, Berlin Childhood Around 1900, by a vivid description of his childhood home:
“The caryatids… may have [sung] a lullaby beside that cradle- a song containing little of what later awaited me, but nonetheless surrounding the theme through which the air of the courtyards has forever remained intoxicating to me… and it is precisely this air that sustains the images and allegories which preside over my thinking, just as the caryatids, from the heights of their loggias, preside over the courtyards of Berlin’s West End.” (Walter, Bullock, and Jennings. )
He switches in this quote from past to present, pulling the air of the courtyards throughout time and portraying his childhood innocence and adult awakening, connected by a common theme of the caryatids. In the same way, he views history as connecting through time with a common thread of revolution and messianic redemption.
What he considered his greatest work, left unfinished when he died, was the Arcades Project (Walter, Eiland, and McLaughlin). It was a series of observations on the Paris Arcades, the beautiful glass arches that cased the products of modernity and technological advances of his time (Schwartz, Vanessa R.). He used this project to portray the meaninglessness of bourgeois life, and communicate his marxist ideas. Benjamin did not view this collection as merely observations, but a blueprint for the ideal city, and wrote in a letter that he wished to apply his observations to the city (Walter, Eiland, and McLaughlin). He always considered his work more important than even his life, demonstrated by how he lugged a suitcase of writings over the mountains when trying to escape from the Nazi’s (Limone, Noa). His tragic death left many of his pieces unfinished, but as his friends and colleagues sorted through the writings he had left, it was only then that the world saw the true brilliance of this philosopher and his ideas became famous.
Veronica Klassen
Works Cited
Ball, David. “Walter Benjamin.” Ambit, no. 185, 2006, pp. 22–22. JSTOR,
www.jstor.org/stable/44336533.
Benjamin, Walter, Marcus Paul Bullock, and Michael William Jennings. (2003). Walter
Benjamin: Selected Writings Volume 3 1935-1938. Harvard University Press.
Benjamin, Walter, Howard Eiland, and Kevin McLaughlin. The Arcades Project. Harvard
University Press, 1999.
Cohen, Josh. “Phenomenologies of Mourning: Gillian Rose and Walter Benjamin.” Women: A
Cultural Review, vol. 9, 1998, pp. 47–61., doi:http://dx.doi.org/10.1080/09574049808578334.
Clark, T.J. “Reservations of the Marvellous.” London Review of Books, London Review of
Books, 21 June 2000, www.lrb.co.uk/v22/n12/tj-clark/reservations-of-the- marvellous.
Jeffries, Stuart. “Walter Benjamin: A Critical Life Review – Gambler, Womaniser, Thinker.”
The Guardian, Guardian News and Media, 7 Aug. 2014, www.theguardian.com/books/2014/aug/07/walter-benjamin-critical-life-howard- eiland-michael-w-jennings-review.
Limone, Noa. “Chronicling Walter Benjamin’s Final Hours.” Haaretz.com, 7 Apr. 2013,
www.haaretz.com/chronicling-walter-benjamin-s-final-hours-1.449897.
Robinson, Andrew. “Walter Benjamin: Messianism and Revolution – Theses on
History.”Ceasefire Magazine, 30 Nov. 2013,
ceasefiremagazine.co.uk/walter-benjamin-messianism-revolution-theses-history/.
Schwartz, Vanessa R. “Walter Benjamin for Historians.” The American Historical Review, vol. 106, no. 5, 2001, pp. 1721–1743. JSTOR, www.jstor.org/stable/2692744.
Wolfe, Ross. “Walter Benjamin’s Writings in German and in English.” The Charnel-House, 9 Jan. 2017,thecharnelhouse.org/2015/12/10/walter-benjamins-writings-in-german- and-in-english/.
Other Relevant Reading
Gilloch, Graeme. “Three Biographical Studies of Walter Benjamin — Walter Benjamin. Eine
Biographie by Werner Fuld / Spinne Im Eigenen Netz. Walter Benjamin: Leben Und Werk by Momme Brodersen / Benjaminiana Edited by Hans Puttnies and Gary Smith.” Telos, no. 91, 1992, pp. 173, International Bibliography of the Social Sciences (IBSS); Politics Collection; Sociology Collection, libaccess.mcmaster.ca.libaccess.lib.mcmaster.ca/login?url=https://search-proquest-com.libaccess.lib.mcmaster.ca/docview/214365417?accountid=12347
Wohlfarth, Irving. No-Man’s-Land: On Walter Benjamin’s ‘Destructive Character’ in Walter
Benjamin’s Philosophy, Benjamin, Andrew (Ed). Routledge, 1994, Philosopher’s Index,